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wardrobe 1910-1919

1900.1910

1900-1910

Women’s wardrobe in 1900 showcased the transition from the Victorian era’s opulence to the simpler lines of the Edwardian period. The silhouette was characterized by the “S-bend” corset, which pushed the chest forward and the hips back, creating an S-shaped figure.

Blouses and skirts were the daywear standard, often with puffed sleeves and lace detailing. The Gibson Girl hairstyle, piled high on the head, became the epitome of femininity. As for outerwear, long, flowing skirts that tapered at the waist were popular, alongside high collars and wide-brimmed hats adorned with feathers or flowers

 

This period marked a move towards more practical clothing, with a slight relaxation in the rigid structures of previous fashions, reflecting changing attitudes towards women’s roles in society.

In 1900, men’s wardrobe was characterized by formal and structured attire. The typical outfit included a sack suit for everyday wear, consisting of a single-breasted jacket, waistcoat, and trousers in matching fabric, often in dark colors. Formal occasions called for a morning coat or frock coat with a high stiff collar, paired with a waistcoat and cravat or tie.

Trousers were straight-legged and cuffed at the bottom. For headwear, the bowler hat was popular for daywear, while the top hat was reserved for more formal events. The overall look was one of understated elegance, with an emphasis on tailoring and fit, reflecting the conservative fashion sensibilities of the early 20th century.

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    Cosprop and Peris Costumes Group Form Global Partnership, Creating Powerhouse Service forInternational Productions

    London based costume house Cosprop, founded by Oscar-winning costume designer John Bright OBE, announces a long-term collaboration with The Peris Costumes Group, combining the unique strengths of each company: Cosprop’s tradition of authentic high-level period costume making, augmented by Peris’s all-era 14 million collection and 26-country network serving the global production industry.

    The development follows recent successful film collaborations between Cosprop and Peris Costumes, now set to grow further.

    Timed to follow Cosprop’s 60th anniversary gala at the V&A, Cosprop will join forces with Peris to offer a well-rounded service to productions from its London base maintaining its famed creative standards.

    John Bright will remain as Creative Director, allowing him also to expand his work in arts education for the underprivileged through The Bright Foundation.

    John Bright said: “This collaboration is the logical next step for Cosprop, opening us up to a wider audience by combining our commitment to authenticity and quality with Peris’s extraordinary global scale and innovation.”

    Javier Toledo, owner of Peris Costumes, said: “Partnering with Cosprop strengthens our combined presence in the UK, European and global markets. Together, we provide costume designers worldwide an unmatched service where quality, authenticity and variety go hand in hand. This supports the UK’s position as a global production hub.”

    Celebrations continue with “Costume Culture: Sixty Years of Cosprop” at London’s Fashion and Textile Museum, featuring costumes from Pride and Prejudice, Pirates of the Caribbean and Game of Thrones.

    Madrid this week, Peris Costumes sponsors the Yvonne Blake Costume Awards and for the first time there’s an International award presented by the renowned Oscar winning UK costume designer, Jenny Beavan.