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17th Century

17th Century

17th Century

17th-century wardrobe is distinguished by its opulence, luxury, and the complexity of its designs, a testament to the era’s fashion sophistication. Key characteristics include the extensive use of luxurious fabrics such as silk and velvet, embellished with intricate lace and detailed embroidery, showcasing the period’s affinity for decorative arts.

Ruffs and Collars: Ruffs, elaborate collared pieces made of stiffened linen, became a significant element of fashion. They grew in size and complexity as the century progressed, requiring support from wire frames or starch.

 

The use of dark fabrics richly adorned with gold embroidery and the fur trim is an item for someone of high status

The striking red velvet used for the majority of the garment is reminiscent of the luxurious fabrics favored by the European aristocracy of the time. The decorative panels on the front, with their intricate patterns and gold detailing, are typical of the Renaissance period, when textile art reached a high level of craftsmanship

The doublet, which is the jacket-like garment, is padded and quilted, featuring the distinctive slashing where the fabric underneath is pulled through to create puffs of contrasting color. This was a popular style to display wealth, as it showed that the wearer could afford to cut into fine fabric merely for decoration.

The sleeves are voluminous and slashed, a typical style of the mid to late 16th century. The ruffled collar, known as a ruff, is another hallmark of this era, particularly in the latter half, and would have been stiffened with starch to keep its shape.

Women wore linen chemises under dresses or skirts with bodices, often layered with aprons for added functionality and modesty. Footwear was made from leather, suited for rough village paths, while accessories like belts and kerchiefs served practical uses. The choice of fabric and color—predominantly natural dyes in blues, greens, and browns—indicated the wearer’s economic status within the village’s modest means.

Men typically wore a basic ensemble consisting of breeches, a shirt, and a doublet. The breeches were knee-length and could be quite voluminous, secured at the waist with a tie or a belt. Made from linen or wool, depending on the region and climate, these breeches allowed for the necessary mobility in daily labor. The shirt, often the only undergarment worn by men, was also linen, long-sleeved, and reached down to mid-thigh, serving dual purposes for modesty and as a sleeping garment.

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    Cosprop and Peris Costumes Group Form Global Partnership, Creating Powerhouse Service forInternational Productions

    London based costume house Cosprop, founded by Oscar-winning costume designer John Bright OBE, announces a long-term collaboration with The Peris Costumes Group, combining the unique strengths of each company: Cosprop’s tradition of authentic high-level period costume making, augmented by Peris’s all-era 14 million collection and 26-country network serving the global production industry.

    The development follows recent successful film collaborations between Cosprop and Peris Costumes, now set to grow further.

    Timed to follow Cosprop’s 60th anniversary gala at the V&A, Cosprop will join forces with Peris to offer a well-rounded service to productions from its London base maintaining its famed creative standards.

    John Bright will remain as Creative Director, allowing him also to expand his work in arts education for the underprivileged through The Bright Foundation.

    John Bright said: “This collaboration is the logical next step for Cosprop, opening us up to a wider audience by combining our commitment to authenticity and quality with Peris’s extraordinary global scale and innovation.”

    Javier Toledo, owner of Peris Costumes, said: “Partnering with Cosprop strengthens our combined presence in the UK, European and global markets. Together, we provide costume designers worldwide an unmatched service where quality, authenticity and variety go hand in hand. This supports the UK’s position as a global production hub.”

    Celebrations continue with “Costume Culture: Sixty Years of Cosprop” at London’s Fashion and Textile Museum, featuring costumes from Pride and Prejudice, Pirates of the Caribbean and Game of Thrones.

    Madrid this week, Peris Costumes sponsors the Yvonne Blake Costume Awards and for the first time there’s an International award presented by the renowned Oscar winning UK costume designer, Jenny Beavan.