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18th Century

18th Century

18th Century

The 18th-century wardrobe was marked by extravagance and refinement, baroque costumes,reflecting social status and wealth.

This period also saw the introduction of the robe à la française and robe à l’anglaise, which further defined women’s fashion with their distinct back pleats and fitted forms, showcasing the era’s intricate balance between fashion as art and a symbol of social hierarchy.

 

Women’s attire showcased opulent dresses with wide panniers, tight corsets enhancing the waist, and decolletage gowns adorned with lace and embroidery. Hairstyles were high and adorned with feathers or jewels. Fabrics ranged from silk and brocade to velvet, rich in color and decoration.

Men’s fashion featured long coats, waistcoats, and breeches, with fine silk stockings and heeled shoes. Lace cuffs, cravats, and elaborate wigs emphasized sophistication.

The contrasting colors and the use of luxurious materials underscore the wealth and status of its original owner. The cravat is in a bright, contrasting color, likely silk, which adds a splash of vibrancy to the ensemble. This attire would have been at the height of fashion and a clear display of opulence in its time.

18th-century village women wore practical dresses made of linen, wool, or cotton, often with an apron for work and a bonnet for outdoor protection.

18th-century villagers wore functional, durable clothing. Men donned simple shirts and breeches,. Common fabrics were wool, linen, and cotton in natural colors. Leather shoes, broad-brimmed hats, and minimal accessories like belts and kerchiefs were practical for rural life.

OUR COSTUMES IN MOTION

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    Cosprop and Peris Costumes Group Form Global Partnership, Creating Powerhouse Service forInternational Productions

    London based costume house Cosprop, founded by Oscar-winning costume designer John Bright OBE, announces a long-term collaboration with The Peris Costumes Group, combining the unique strengths of each company: Cosprop’s tradition of authentic high-level period costume making, augmented by Peris’s all-era 14 million collection and 26-country network serving the global production industry.

    The development follows recent successful film collaborations between Cosprop and Peris Costumes, now set to grow further.

    Timed to follow Cosprop’s 60th anniversary gala at the V&A, Cosprop will join forces with Peris to offer a well-rounded service to productions from its London base maintaining its famed creative standards.

    John Bright will remain as Creative Director, allowing him also to expand his work in arts education for the underprivileged through The Bright Foundation.

    John Bright said: “This collaboration is the logical next step for Cosprop, opening us up to a wider audience by combining our commitment to authenticity and quality with Peris’s extraordinary global scale and innovation.”

    Javier Toledo, owner of Peris Costumes, said: “Partnering with Cosprop strengthens our combined presence in the UK, European and global markets. Together, we provide costume designers worldwide an unmatched service where quality, authenticity and variety go hand in hand. This supports the UK’s position as a global production hub.”

    Celebrations continue with “Costume Culture: Sixty Years of Cosprop” at London’s Fashion and Textile Museum, featuring costumes from Pride and Prejudice, Pirates of the Caribbean and Game of Thrones.

    Madrid this week, Peris Costumes sponsors the Yvonne Blake Costume Awards and for the first time there’s an International award presented by the renowned Oscar winning UK costume designer, Jenny Beavan.