Home / Gabriele Binder tells us some costume secrets of Queen’s Gambit

Gabriele Binder tells us some costume secrets of Queen’s Gambit

[vc_row][vc_column][vc_row_inner][vc_column_inner][vc_column_text]Once Costume Designer Gabriele Binder had read the scripts for the first two episodes of “The Queen’s Gambit” from Netflix , she immersed herself in the chess books to properly develop the costumes for the main character Beth Harmon.

Taking his cue from his research, he decided that Beth’s costumes would stay away from flashy prints, choosing instead for plaids or simple stripes. “I thought that during all this travelling to different places and playing chess, she’s learning about places, observing people and understanding more about herself and growing up,” Binder explained. She’s going from being a little girl in orphanage uniform dresses to someone who suddenly knows her femininity”.

Binder also wanted to keep the colors muted for Beth because with her strong red hair, wearing bright colors would have presented her as “someone who really wanted to say, ‘Wow, here I am,'” she said, which would have countered the chess prodigy’s determined nature.

Yet green is the central colour in Beth’s story. Just after losing her mother in  an accident, she dons a sage-colored dress, a shade that reappears in the handful of pills she consumes as a young girl. Later, in Paris, which Binder described as her “weakest moment”, Beth rushes out of the hotel to attend a chess game in a light green dress. When she arrives in Moscow, her “home color” changes from a sign of weakness to a symbol of strength. “By the last game, we have exactly the same color as at the beginning, with the car accident, and she has finally arrived,” Binder said.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner][vc_raw_html]JTNDaWZyYW1lJTIwc3JjJTNEJTIyJTJGJTJGY2RuLmp3cGxheWVyLmNvbSUyRnBsYXllcnMlMkZVMEFLM3FYWS1wbHNabkRKaS5odG1sJTIyJTIwd2lkdGglM0QlMjIxMDAlMjUlMjIlMjBoZWlnaHQlM0QlMjI0NTAlMjIlMjBmcmFtZWJvcmRlciUzRCUyMjAlMjIlMjBzY3JvbGxpbmclM0QlMjJhdXRvJTIyJTNFJTNDJTJGaWZyYW1lJTNF[/vc_raw_html][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

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    Cosprop and Peris Costumes Group Form Global Partnership, Creating Powerhouse Service forInternational Productions

    London based costume house Cosprop, founded by Oscar-winning costume designer John Bright OBE, announces a long-term collaboration with The Peris Costumes Group, combining the unique strengths of each company: Cosprop’s tradition of authentic high-level period costume making, augmented by Peris’s all-era 14 million collection and 26-country network serving the global production industry.

    The development follows recent successful film collaborations between Cosprop and Peris Costumes, now set to grow further.

    Timed to follow Cosprop’s 60th anniversary gala at the V&A, Cosprop will join forces with Peris to offer a well-rounded service to productions from its London base maintaining its famed creative standards.

    John Bright will remain as Creative Director, allowing him also to expand his work in arts education for the underprivileged through The Bright Foundation.

    John Bright said: “This collaboration is the logical next step for Cosprop, opening us up to a wider audience by combining our commitment to authenticity and quality with Peris’s extraordinary global scale and innovation.”

    Javier Toledo, owner of Peris Costumes, said: “Partnering with Cosprop strengthens our combined presence in the UK, European and global markets. Together, we provide costume designers worldwide an unmatched service where quality, authenticity and variety go hand in hand. This supports the UK’s position as a global production hub.”

    Celebrations continue with “Costume Culture: Sixty Years of Cosprop” at London’s Fashion and Textile Museum, featuring costumes from Pride and Prejudice, Pirates of the Caribbean and Game of Thrones.

    Madrid this week, Peris Costumes sponsors the Yvonne Blake Costume Awards and for the first time there’s an International award presented by the renowned Oscar winning UK costume designer, Jenny Beavan.